![]() What is spectacular dare the juxtapositions and perspectives, in particular once it gets into the late 1960s material. Reviewed by Quinoa1984 10 / 10 A sobering tonic of cotton candy one of Marlon Riggs's triumphs as a documentarianĬolor Adjustment was far greater than I could have expected, and I looked forward to something incisive and in the editing dynamic (just from Black is Black Ain't). Black actors Esther Rolle, Diahann Carroll, Denise Nicholas, and Tim Reid and Hollywood producers Norman Lear, Steve Bochco, and David Wolper reveal the behind-the-scenes story of how prime time was "integrated." Revisiting the programs "Beulah," "The Nat King Cole Show," "Julia," "I Spy," "Good Times," and "Roots," viewers see how bitter racial conflict was absorbed into non-controversial series.-Fiona Kelleghan J.An analysis of the evolution of television's earlier unflattering portrayal of African-Americans from 1948 until 1988, when they are depicted as prosperous and having achieved the American Dream, a portrayal that is inconsistent with reality. "Easy Listening Blues" (Nadine Robinson) – 3:23." What Can I Say After I Say I'm Sorry?" ( Walter Donaldson, Abe Lyman) – 2:39."Calypso Blues" (Clifford Carmen, Cole, Don George) – 3:34." Straighten Up and Fly Right" ( Nat King Cole, Irving Mills) – 2:25." Orange Colored Sky" ( Milton DeLugg, William Stein) – 2:12." Gee, Baby, Ain't I Good to You" ( Andy Razaf, Don Redman) – 2:56."Little Girl" (Francis Henry, Matt Hyde) – 2:35." Unforgettable" ( Irving Gordon) – 2:37." Sweet Lorraine" ( Cliff Burwell, Mitchell Parish) – 3:31." Walkin' My Baby Back Home" ( Fred E." It's Only a Paper Moon" ( Harold Arlen, Yip Harburg, Billy Rose) – 2:29. ![]() "When My Sugar Walks Down the Street" ( Gene Austin, Jimmy McHugh, Irving Mills) – 2:18.Writing for AllMusic, critic Scott Yanow wrote "Peterson, who rarely ever sang, is very effective on the well-rounded program, whether being backed by a big band (arranged by Manny Albam) on half of the selections or re-creating both the spirit of the Nat King Cole Trio and his own group of the late '50s during a reunion with guitarist Herb Ellis and bassist Ray Brown." Track listing Reception Professional ratings Review scores A third, The Personal Touch was released in 1980. With Respect to Nat is the second album to feature Peterson singing, following Romance: The Vocal Styling Of Oscar Peterson, from 1954. Peterson sings on all tracks except "Easy Listening Blues". With Respect to Nat is a 1965 studio album by jazz pianist Oscar Peterson, recorded in tribute to Nat King Cole, who had died earlier that year. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |